Another sneak peek–I can’t help it! Photographers keep sending me awesome images that I want to share!
This one is from a shoot that I loaned some items out for.
Bit of a Mardi Gras theme, and I can’t wait to see more!
I just realized that this is my 100th post here on the ol’ blog. Last week I got the “congratulations on your 1 year anniversary”, too. Which took my entirely by surprise. Granted, there were MONTHS (and months) of inactivity….but it feels like just a little while ago that I started this up.
I had intended a blog post reflecting on the year, blather blather blather, blah blah remembering, blah. But then, THEN–my friend Britt of Underexposed Photography (https://www.facebook.com/brittsmithphoto) just released the first sneak peek from last week’s Dieselpunk/Steampunk shoot–and I’m pretty much in love with it. My brain can’t really compute anything more than “PREEETTTTTYYYYYY!!” after seeing it, so big long rambling post about the past year has been sidetracked (you can send your thanks to Britt).
Clothing by Trapped In Time Designs (http://www.etsy.com/shop/TrappedInTimeDesigns)
Photography: Underexposed Photography (https://www.facebook.com/brittsmithphoto)
Hair & Makeup: Amanda Bravender (www.ahbweddingandevents.com)
Hip belt, weapon & location: Airship Isabella Productions (http://airshipisabella.com/)
Models: Nola Chick (https://www.facebook.com/nolachick?fref=ts)
Amber Carollo (https://www.facebook.com/modelamberleighhh)
I’ve been slowly beefing up my artfire studio, giving folks another way to purchase Trapped In Time Designs items.
It’s a slow process, but it’s moving along.
I’ll be keeping the etsy shop going, and re-activating my rebelsmarket studio (which I also need to beef up).
You can find the new artfire shop here: http://www.artfire.com/ext/shop/studio/TrappedInTimeDesigns
As I mentioned yesterday–the images from the knits shoot are in! And I couldn’t be happier.
Modeled by the gorgeous Mary Andrus (https://www.facebook.com/ModelMaryAndrus)
Hair & Make Up by Amanda Bravender (For inquiries : http://www.ahbweddingandevents.co)
Photography by Underexposed Photography (https://www.facebook.com/#!/brittsmithphoto)
Now we get image-heavy (and I’m not even sharing HALF the images–even though I want to share them ALL):
The weekend meant finishing up (or almost finishing up–the capelet needs more chain) the capelet:
And the hat:
As well as some candle-making:
There was knitting, too, but I didn’t get a picture.
Don’t get TOO jealous at my crazy, wild life, okay?
I’m off to finish up the bits for TOMORROW’S editorial shoot! Can’t wait!
Over the weekend I had my annual winter knits shoot with a couple of my favorite friends–who also just-so-happen to be an amazing photographer and hair/make up artist, respectively. I also got to work with one of my favorite models again. Looking forward to the final images! I’m always so impatient for those. I try really hard to not start asking “are they ready yet?” every few hours.
A behind-the-scenes sneak peek:
My inspiration this year had to be, ultimately, scaled waaaay down since I don’t have an old falling-down house, tons of money, or a snow machine. I started with this idea from a Vogue Korea shoot:
Yeah….that wasn’t going to happen this year. So, I scaled back and decided to do something similar to last years, with changes Last year’s looked like this:
That last knit shoot produced some of my favorite ever images. Britt of Underexposed Photography did this years shoot, too–so I can’t wait to see how amazing the images are!
Hair inspiration this year:
Make up inspiration this year–but without the crazy-creepy eyes. I wanted her to look beautiful, but slightly frozen, going further with the frozen idea than we did last year. (Amanda Bravender did hair and make up on my shoot–and she’s amazing, so it looked fabulous):
I can’t wait to start sharing the final images!
The final look for my mini RAWards collection was actually the second look I dreamed up, hot on the tail of the first look. I knew I wanted Mary Andrus to model it from the get-go, too.
Initially, I envisioned a brocade bust with an extremely full chiffon skirt. I even toyed with pockets.
Paired with the tattered lace collar and the (not-gonna-happen) spats, it looked really cute.
I think I design things that I would wear if I were tall and thin. Because I would so totally wear any of the things in my collection if I were. Sadly, being of the oompa loompa persuasion, I must live vicariously through my beautiful models.
I decided to make the closure for this dress lace-up to accommodate a closer fit that wouldn’t have to be hiked up every few minutes. I switched the chiffon idea over to a beautiful black lace with an attached black mini skirt lining. The back is bustled and the overskirt is longer than the lining.
First fitting:
Mary looked beautiful, OF COURSE. The top did need to be taken in quite a bit, so there was some deconstruction and re-construction in the dresses immediate future.
Walking the runway:
From the pre-show photo shoot:
Clothing by me: http://www.etsy.com/shop/TrappedInTimeDesigns
Hair & Make Up by: Amanda Bravender For inquiries : http://www.ahbweddingandevents.com
Model: Mary Andruss https://www.facebook.com/ModelMaryAndrus
Photography by: Underexposed Photography https://www.facebook.com/brittsmithphoto
I have a little secret about the fourth look. *I ended up re-styling a dress I showed at my last RAW runway* Not that people couldn’t recognize that fact themselves just by looking at the dress. And in all fairness (to me), I did have every intention of making a NEW dress in a different fabric–even had it all cut out (it’s still sitting in pieces on my “sew these someday” pile). The original idea was this:
The idea was to use this grey stretch suiting I have that has a maroon pinstripe. Lovely fabric, but I was hesitant to use grey. It was just so…..grey. I know, like army green/brown and cream are fascinating colors. Who knows what it was, but I ultimately decided I didn’t want to use the grey paired with the brocade looks.
So, anyway, this look was originally designed to be that fabulous slinky grey pinstriped dress with a plunging neckline, a brocade under-bust corset, spats and a tattered lace collar. Of course, the spats took a hike.
I quickly decided to use the brown pinstripe dress instead of making the grey. Well, maybe not quickly, since I went through the trouble of cutting the dress out, but the decision was made.
The first fitting went well–other than the fact that the corset was 2 sizes too large. I’m not posting images of that fitting primarily because, well, boobs (ooo–I just opened my blog up to a whole new search category!). It was discovered at the fitting that this model has more, shall we say, blessings up top than previous models who have worn the dress. I had thoughts of a tank top for modesty’s sake (though I never really liked the idea too much). It hadn’t occurred to me that we didn’t try the dress without a bra at that fitting, and luckily we were able to make it work without a modesty panel for the show.
So, after the fitting, I re-made the corset. I love the under-bust corset–I’ve been wanting to make some for awhile but somehow hadn’t gotten around to it. I have plans for many more.
Luckily, the dress fit like a glove already so no alterations were needed.
Onto the show!
And the pre-show photo shoot:
Love it!
Clothing by me: https://www.etsy.com/shop/TrappedInTimeDesigns
Hair & Make Up by: Amanda Bravender For inquiries : http://www.ahbweddingandevents.com
Model: Ashton Akridge https://www.facebook.com/ashton.akridge
Photography in final images by: Underexposed Photography https://www.facebook.com/brittsmithphoto
The third look in the show is the one that under-went the most transformations. I started with one look, changed to a second (that I was never 100% happy with for this show) and completely re-did the entire look at the last minute. Literally. My last fitting for this look was the morning of the show. I finished it up in the hotel room that we had for the event. I’m now a proud member of the small group of women who have brought sewing machines to their hotel room. Booyah!
My initial idea for this look was playing off of the lace idea. It was to be a lace tunic dress–the very top would be lined, but the dress and skirt portion would be sheer. Since I don’t send naked ladies down the runway, I made a khaki bustier to go underneath. All that would be paired with ruffled full length leggings, the spats (in brocade) and a tattered lace ruff:
I somehow managed to not take a picture of this look on the dress form. I think I deleted it accidentally. Suffice to say, it was pretty much as you see in the sketch (minus the spats).
At the fitting, it…..well……it looked awful. The top of the tunic was resting inside the top of the bustier, creating what can only be called a shelf above her bust. It looked so awful that I didn’t even snap a picture of it on the model. I had had an inkling that this look wasn’t going to work–and maybe I’d just fallen out of love with it by the time I had the fitting. Maybe I could have made it work, but I was determined that it wasn’t going to. Either way, I had brought back-up options. The bustier was great on her, and I brought a pencil skirt (you saw it in my previous RAW show, actually) to pair with it. The skirt needed many alterations, but was workable. Everything looked great on her, but it all kind of looked…..the same color. Her skin, the bustier, the skirt, the shoes….I wasn’t feeling it.
So, I put this look to the back of the queue and just kept moving forward with the others that I was 100% behind. I figured something would come to me at some point. Hopefully. Or else I was screwed.
So, I completed the other looks, and I stressed and I thought and I changed my mind about a ba-zillion times. Finally, I decided on doing a dress that was similar to my finale look. I used a brown suiting with a metallic pinstripe for the top, and a cream lace with the soft moleskin under-lay for the skirt. The underlay is shorter than the overskirt. The back is grommeted and laces for a better fit (and a little more “staying up” power than a zipper can offer). I bustled the back of the skirt a bit, too, for volume. I couldn’t be happier with the result!
Walking the runway:
And a shot from the pre-show photo shoot:
The dress suffered some tearing during the show, so, sadly, it won’t be available for purchase. However, I can make one to measure and in any color desired. Contact me for details.
Clothing by me: https://www.etsy.com/shop/TrappedInTimeDesigns
Hair & Make Up by: Amanda Bravender
For inquiries : http://www.ahbweddingandevents.com
Model: Elizabeth Austin https://www.facebook.com/elizabeth.austin.18
Photography (final image only): Underexposed Photography https://www.facebook.com/brittsmithphoto
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